Upon the Filthy Sorrow the Snow Falls Lightly Again Today
- Intro
- Summary
- Modernistic English
- Deed i, Scene i
- Human activity ane, Scene 2
- Act 2, Scene one
- Act ii, Scene 2
- Human activity 3, Scene 1
- Act 3, Scene ii
- Act iii, Scene three
- Act 4, Scene ane
- Act 4, Scene ane Summary
- Act 5, Scene 1
- Themes
- Quotes
- Characters
- Analysis
- Questions
- Photos
- Quizzes
- Flashcards
- Best of the Web
- Write Essay
- Teaching
- Lit Glossary
- Table of Contents
The Tempest: Human activity four, Scene 1 Translation
A side-past-side translation of Human activity four, Scene 1 of The Tempest from the original Shakespeare into modern English.
Original Text | Translated Text |
---|---|
Source: Folger Shakespeare Library | |
Enter Prospero, Ferdinand, and Miranda. PROSPERO, to Ferdinand | Prospero comes clean to Ferdinand. He says the harsh trials he put Ferdinand through were only to exam the guy's love for Miranda, who is incredibly important to Prospero—she'south a third of his life! (And the other two-thirds are...hmm. Maybe Miranda's mom and Prospero himself? We're not certain, but that seems reasonable.) Anyhow, Ferdinand passed the test, and he ameliorate believe Miranda was worth the trouble and so some. |
FERDINAND I practise believe it PROSPERO | Ferdinand agrees that Miranda is beyond awesome, and Prospero adds, "Oh, btw, if you have sexual practice earlier you're officially married, the heavens will rain down misery on y'all, and you'll have a horrible marriage total of hatred instead of love." |
FERDINAND Equally I hope 25 | Ferdinand assures Prospero that even if he's in the darkest, steamiest place, he'll go along his paws off Miranda and then they can have a special nuptials night. He adds that the hymeneals 24-hour interval volition exist agonizingly long and says that he'll be very broken-hearted to go Miranda back to the honeymoon suite afterwards the ceremony is over...which is kind of a creepy affair to hear your fiance say to your dad. |
PROSPERO Fairly spoke. Enter Ariel. ARIEL PROSPERO ARIEL Shortly? PROSPERO Ay, with a twink. ARIEL PROSPERO ARIEL Well; I conceive. 55 He exits. | Satisfied with his pre-nuptials chat with Ferdinand, Prospero calls in Ariel, who has more work to do. Prospero wants to prove some of his "art" (read: magic) to the young couple equally and an appointment gift. Now? Ariel asks. Yep. Now. Ariel pledges to perform well, and asks, like a pet, if he is loved. Prospero replies that Ariel is loved dearly. |
PROSPERO, to Ferdinand FERDINAND I warrant you, sir, 60 PROSPERO Well.— Soft music. No tongue. All eyes. Be silent. | Prospero checks in with Ferdinand about his lust level once again, and Ferdinand assures him that his pure honey for Miranda is stiff enough to keep his lust under control. With that settled, Prospero calls in Ariel. Soft music starts to play and Prospero tells the young couple to watch equally his gift materializes—no talking. |
Enter Iris. IRIS | A series of gods appear before the immature couple. Showtime comes Iris, goddess of the rainbow and messenger of Juno (a.k.a. Hera, Zeus/Jupiter'southward wife). Iris calls upon Ceres, goddess of agriculture, to show herself and help with the entertainment. |
Enter Ceres. CERES IRIS CERES Tell me, heavenly bow, 95 | Ceres shows up, and asks why she's been summoned. Iris tells her it's to gloat true love. That'south absurd, simply Ceres wants to know if Cupid and Venus volition be there—she has beef with them, since they plotted the way for Ceres' girl, Proserpine (or Persephone) to be stolen by Pluto (a.k.a. Hades), the god of the underworld. |
IRIS Of her society | Iris assures Ceres that Cupid and Venus are headed home to Paphos. They had intended to play a play tricks on Ferdinand and Miranda, who've sworn not to sleep together until they're married, simply their scheme failed. So they left, and Cupid broke all his arrows, promising not to shoot them anymore. He's simply going to exist a normal lilliputian boy from now on. |
Juno descends. CERES Highest queen of state, JUNO They sing. JUNO CERES | Juno, who has been lingering to a higher place, and so descends to shower blessings on the couple forth with Ceres. |
FERDINAND PROSPERO Spirits, which by mine art FERDINAND Let me live here ever. PROSPERO Sweetness now, silence. 140 IRIS Enter certain Nymphs. Y'all sunburned sicklemen, of August weary, 150 Enter certain Reapers, properly habited. They bring together with | Ferdinand and Miranda are amazed, and Prospero says these are spirits he has called upward on behalf of the young lovers. Nymphs and land reapers are and then summoned, and they perform a beautiful dance. We interrupt this magical performance for a encephalon snack: In the wintertime of 1612-1613,The Tempest (along with xiii other plays) was performed in honour of the matrimony of King James I's daughter Elizabeth to Frederick (the Elector Palatine). Some scholars think that Prospero's "masque" was added past Shakespeare just for this performance, but other critics say at that place's no evidence that information technology wasn't an original part of the play. |
PROSPERO To a strange, hollow, and dislocated dissonance, | Suddenly Prospero jumps with surprise, and all the spirits vanish. Prospero has realized that, oopsy-daisy, he's forgotten Caliban's plot against his life! He'd ameliorate cease messing around and become to halting that scheme. |
FERDINAND, to Miranda MIRANDA Never till this day PROSPERO, to Ferdinand FERDINAND/MIRANDA Nosotros wish your peace. They exit. | Ferdinand is surprised by Prospero's sudden mood change, and Miranda says she's never seen him quite and then agitated. Prospero explains the sudden shift to Ferdinand in a beautiful spoken communication. He says that that his magic, much like life, is just temporary. Everything somewhen melts into thin air, leaving no trace behind. This is where he speaks the famous line, "We are such stuff as dreams are made on," and so he tells Ferdinand and Miranda his brain is troubled and he has a few things to figure out. They leave and wish him peace. |
Enter Ariel. PROSPERO ARIEL PROSPERO Spirit, ARIEL PROSPERO ARIEL | Prospero has a chat with Ariel, who says that Stephano, Trinculo, and Caliban were hot with rage (and completely drunk) when he last saw them. Ariel led them to just outside Prospero'south cell with his music, and left them wading in a filthy, scummy pool. |
PROSPERO This was well washed, my bird. ARIEL I go, I become. He exits. 210 | Prospero instructs Ariel to fix his nice linens and fineries outside the cell equally bait for the thieves and would-be murderers. |
PROSPERO Enter Ariel, loaden with glistering apparel, etc. Come up, hang them on this line. | Prospero and then curses Caliban for being a devil and promises to plague all of the men plotting against his life. You practicenonwant to get on this guy's bad list. |
Enter Caliban, Stephano, and Trinculo, all wet, every bit CALIBAN Pray y'all, tread softly, that the blind mole STEPHANO Monster, your fairy, which you say is a 220 TRINCULO Monster, I do smell all horse piss, at which STEPHANO So is mine.—Do you hear, monster. If I 225 TRINCULO G wert only a lost monster. CALIBAN TRINCULO Ay, merely to lose our bottles in the pool! STEPHANO There is not only disgrace and dishonor in TRINCULO That's more than to me than my wetting. Withal this STEPHANO I will fetch off my bottle, though I exist o'er CALIBAN | Caliban, Trinculo, and Stephano accept escaped from the nasty puddle, and while they all olfactory property of "equus caballus piss," the greatest tragedy—as far as Trinculo and Stephano are concerned—was losing their wine in the pond. Caliban assures them that their prize will be worth it, and eggs them on to Prospero's cell. |
STEPHANO Requite me thy mitt. I do begin to take encarmine 245 TRINCULO, seeing the wearing apparel O King Stephano, O CALIBAN TRINCULO Oho, monster, nosotros know what belongs to a STEPHANO Put off that gown, Trinculo. By this paw, TRINCULO Thy Grace shall take it. CALIBAN STEPHANO Be you quiet, monster.—Mistress Line, is TRINCULO Practise, do. Nosotros steal by line and level, an 't like STEPHANO I give thanks thee for that jest. Here's a garment TRINCULO Monster, come up, put some lime upon your CALIBAN STEPHANO Monster, lay to your fingers. Help to bear TRINCULO And this. 280 STEPHANO Ay, and this. | Just every bit Stefano begins to have thoughts of bloody murder, Trinculo points out what prissy things in that location are for a rex'southward wardrobe hanging outside, and the 2 get distracted. Caliban panics at their lack of focus; he is sure Prospero volition wake up, find them all out, and torture them. |
A noise of hunters heard. Enter defined spirits in shape of dogs and hounds, PROSPERO Hey, Mountain, hey! ARIEL Silver! At that place information technology goes, Argent! PROSPERO ARIEL Hark, they roar. 290 PROSPERO They exit. | Sure enough, Ariel and Prospero conjure upward spirit-dogs and hounds that chase the iii off. Prospero promises they'll have plenty of cramps, pinches, and convulsions as they run abroad, hunted past the spirits. And he promises, likewise, that Ariel will accept his freedom...before long. |
Source: https://www.shmoop.com/tempest/act-4-scene-1-translation.html
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